Indian Maximalism: Why Glitter and God Posters Are More Than Just a Trend
- Maheshwari Raj
- Jun 23
- 3 min read
From paan dabbas to Boroline tubes, India’s chaotic visual culture is no longer background noise—it’s the main aesthetic event. We decode why Gen Z is curating kitsch and turning everyday relics into the new objects of desire.

What Is Indian Maximalism and Why Is It Trending in 2025?
Indian maximalism isn’t just an aesthetic—it’s a cultural inheritance. Whether it's temple calendars, sachet packets, god posters or shop signage. For decades, these were background noise. Today, they’re graphic inspiration.
According to Vogue India, the return of maximalism is more than 90s nostalgia: “It’s a desire to reconnect with visual memories that feel distinctly Indian—cluttered, celebratory, and deeply personal.”

Visual Codes of the Movement: Packaging, Print, and Paan Shops
The aesthetic cues of Indian maximalism include:
Haldi yellow, sindoor red, bottle green, glossy black, and foil gold
Fonts layered in Devanagari, Tamil, Urdu, and English
Icons like Bollywood actors, gods, tigers, medicinal leaves, mangoes
Laminated textures, sun-faded walls, over-embossed packaging
Redditors often echo this visual love letter in design forums:
“Chaabi, Kanchi, Chameli, and New Ship from when I was a child.”– a user in a nostalgic thread on r/india
These small, disposable items—matchboxes, soap wrappers, temple stickers—become touchstones of identity. They're not just packaging; they're memory architecture.

Where You’re Seeing It: Brands, Creators, and Street Design

Maximalism isn’t confined to galleries. It’s alive in:
NorBlack NorWhite and Jodi Life’s ornate visual storytelling
Studio Kohl’s reinterpretation of religious iconography and signboard fonts
Zine culture in Mumbai and Goa remixing motifs from paan dabbas and incense boxes
Even international brands are catching on. JW Anderson referenced “non-Western packaging” in 2023, while Paul Smith and Jacquemus have flirted with layered, kitschy collage work.
“I mostly picked it up because it looked different...”– shared a Reddit user, discussing why Indian products often stand out on global shelves.
It’s not coincidence. It’s instinctive design with emotional heft.
The Emotional Driver: Gen Z’s Cultural Memory

For Gen Z, maximalism isn’t retro—it’s recognition.
In her Medium essay, designer Roshnee Desai writes, “India has always held space for both ornament and austerity—temple carvings and ration labels, Bollywood posters and blank ration forms.”
Today’s young creatives aren’t making moodboards for virality. They’re building visual worlds out of lived experience.
The Class Conversation: Reclaiming Without Romanticising
For some, a paan packet or a turmeric-printed soap box is nostalgic. For others, it's everyday necessity.
“This packaging style is in line with many Indian sweets gift sets… It’s tried and true for this product,”– a Reddit user pointed out in a packaging design thread, highlighting how these visual systems function both practically and sentimentally.
There’s a fine line between curation and co-option and design means nothing if it forgets who it was originally made for.
What’s Next: From Kitsch to Spiritual Quietude

As the aesthetic matures, maximalism may shift away from viral irony and toward rooted ritualism: Ayurvedic packaging, temple motifs, god print posters, and handblock maximalism.
It may not get quieter—but it may get more soulful.
It’s not ironic. It’s intentional.
It’s not throwback. It’s throughline.
From gold-foiled stickers to incense-wrapped labels, India’s visual chaos holds emotional truth. And Gen Z isn’t just inspired by it—they’re restoring it. Carefully. Loudly. Lovingly.
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