The Old Money Illusion: Why Gen Z Romanticises a World They Never Inherited
- Maheshwari Raj
- May 5
- 5 min read

There’s a particular kind of TikTok girl who walks through the world like a Kennedy girlie—or maybe Blair Waldorf in exile. She’s wearing a boat-neck sweater draped over her shoulders, sipping a martini she doesn’t entirely like, and filming in grainy filters that make 2025 look like 1985. “Old money core only,” the caption reads.
But what is Gen Z really trying to say when they dress like prep school heirs and summer in Capri (or at least pretend to)? It’s less about mimicking the rich—and more about mourning a future that was promised, then never arrived.
Cashmere Dreams in a Collapsing Economy

The rise of the old money aesthetic—monochrome polos, slicked-back buns, linen trousers, vintage Cartier—has little to do with actual generational wealth. It’s a visual shorthand for taste, legacy, and stability in a time when none of those things feel guaranteed.
As GQ India notes, this trend isn’t about affluence—it’s about aspiration. “In a gig economy and housing crisis, this aesthetic becomes a way to reclaim control through appearance.” If you can’t own a house, at least you can own a pair of cream trousers that say you could.
But Gen Z’s version of Old Money doesn’t come from yacht clubs or debutante balls. It comes from Pinterest boards, resale apps, and aesthetic subreddits.
The Calm, Curated Life: Aesthetic as Antidote

Scroll through TikTok, and you’ll see it: hair slicked into a low bun, a silk headband, an oat-toned coffee in hand. “Get Ready With Me: Old Money Edition” isn’t just content—it’s cosplay. A performance of lineage in a lineage-less world.
On Reddit's TrueRateDiscussion, one user writes:
“I think it’s because people are tired. Old Money gives the illusion of calm. A life that’s curated, not chaotic.”
And that’s exactly the point. Old Moneycore is less about wealth—and more about retreat. Into order, elegance, and the fantasy of a life untouched by chaos.
A Soft Rebellion Against Hustle Culture
Call it recession-core, nostalgia, or aesthetic escapism. But Harper’s Bazaar Australia explains it best: the Old Money aesthetic is “less about logos, more about lineage.” Think: quiet luxury, not loud spending.
This craving for refinement feels distinctly post-2020—when hustle culture cracked and ‘main character energy’ took its place. After burnout came ballet flats. After crypto came cream blazers. Gen Z isn't chasing the new; they're romanticising the old.
It’s also deeply performative—because that’s how Gen Z expresses identity. Through moodboards. Through fits. Gossip Girl gave youth the fantasy. Succession gave dysfunction.

The Simulation of Heritage
But here’s the irony: true Old Money is not aesthetic—it’s inherited. It’s land, trust funds, and last names etched into college buildings. What Gen Z is doing is not reclaiming wealth—it’s simulating stability. A façade of refinement over the chaos of contemporary adulthood.
As Stanford Law School’s cultural study highlights, “The aestheticisation of class markers distances them from their socioeconomic roots. It lets people wear the uniform without confronting the system.”
It’s a paradox: the more unattainable wealth becomes, the more we fetishise its signifiers.
Aspiration or Surrender?
Here lies the central paradox: Is Gen Z romanticising Old Money because they aspire to it—or because they already know they’ll never have it?

In a job market shaped more by algorithms than ambition, the aesthetic of inherited wealth becomes less about social climbing and more about survival cosplay.
According to Forbes, 37% of hiring managers would prefer to employ AI over a Gen Z graduate—an alarming figure that speaks volumes about how the youngest working generation is perceived. At the same time, Business Insider reports that “entry-level” roles now demand several years of prior experience, effectively gatekeeping the start line. And for those hoping for stable government or institutional careers? That door is closing too. As another Business Insider piece warns, budget cuts and layoffs are rapidly shrinking federal opportunities, leaving many new grads stranded before they begin.
So what’s left? A curated image. A tonal outfit. A soft-filtered life.
It’s why so much of the Old Money aesthetic feels eerily still—detached, unhurried, quietly resistant. Because if the system wasn’t built for you, why pretend to play by its rules?
For many, Old Moneycore isn’t a ladder—it’s a lifeboat. A moodboarded form of protest. A way of saying: “If I can't earn my place in the world, at least I can look like I already belong there.”
Old Money Aesthetic 101: The Visual Language

Let’s break it down—this is what Gen Z’s version of old money looks like:
Palette: Navy, white, sage, camel, cream
Textures: Cashmere, silk, brushed cotton, wool
Accessories: Pearl earrings, hair bows, loafers, vintage watches
Drinks: Martinis, cold brew in a coupe glass, San Pellegrino
Icons: Carolyn Bessette-Kennedy, Sofia Richie Grainge, Shiv Roy, fictional Blair Waldorf
Holiday Destinations: Amalfi, Gstaad, Martha’s Vineyard (or the Airbnb version of it)
They’re less trust fund and more Tumblr-core. It’s not Old Money—it’s Old Money Moodboard.
Luxury’s Quiet Rebrand
What’s fascinating is how luxury brands are leaning in. Loewe, The Row, and Ralph Lauren Purple Label are no longer just selling clothes—they’re selling rituals of restraint. Logos are shrinking. Craftsmanship is foregrounded. Storytelling is being replaced by lineage.

And on TikTok, that soft-spoken girl doing a “get ready with me” in tonal whites isn’t just influencing outfits. She’s rewriting what wealth looks like: slow, still, and unbothered.
Why It Resonates So Deeply
At its core, this obsession is not frivolous—it’s emotional. In a world built on surveillance, burnout, and fast everything, Old Money offers a counter-narrative: elegance, effortlessness, and a life that feels earned but unbothered.
For a generation born into global crises, romanticising the past becomes an act of self-soothing. Old Money style isn’t about class—it’s about control. It’s about reclaiming grace in a graceless time.
And maybe, just maybe, it’s our way of saying: I may not own an estate—but I can still dress like the future was kind to me.
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